Good Day to you!
And welcome to my blog.
I am a Print based artist
working with processes such as Silk-Screen, Intaglio( Etching,Drypoint) Lithography and Photolithography. Please dont be afraid to leave feed back.
Printmedia.mcintosh@gmail.com

19th June 2013

Photoset reblogged from Jonathan S. Green with 74 notes

jonathangreen:

Really swell looking woodcut series

adamisinky:

QUIET

This suite of woodcuts is dedicated to Blair R. Case, an honest craftsman and Revolutionary War re-enactor, who instilled in me a reverence for tools and workmanship through his pride in making. QUIET is a pictorial noctuary of craft, process, and routine inspired by that reverence. Craft, in a contemporary setting such as this, has fallen by the wayside. This short comic of woodcuts highlights the process of resurrecting an old, often forgotten tool, by means of relief printmaking. Routine of working in the familiar setting of graduate school is tempered with the contemplative and often quiet home life, where the object made and the actions of making continue to wander the mind in a restless state of questioning. 

 

QUIET, Adam Case Leestma, 2012 - 2013, Woodcut (& Letterpress in the title page) 

 

scans and a small statement from my graduate thesis. enjoy!

Source: adamisinky

17th June 2013

Quote reblogged from R.S. with 928 notes

I regret that it takes a life to learn how to live.
— Jonathan Safran Foer (via razorshapes)

15th June 2013

Video reblogged from PRINTERESTING NOTEBOOK with 19 notes

printeresting:

Gizmodo Visits Common Press (by Gizmodo)

15th June 2013

Quote reblogged from amalgamation with 2,937 notes

Behind every exquisite thing that existed, there was something tragic.
— Oscar Wilde  (via oh-girl-among-the-roses)

Source: larmoyante

13th June 2013

Photoset with 2 notes

Trying some new things, photo polymer on wood. Only God know what I’m doing…. And of course why I’m doing it. Mmmmm….prints.

13th June 2013

Photo reblogged from PRINTERESTING NOTEBOOK with 29 notes

printeresting:

Mitch Mitchell, Distance Arc, Quilted Newspaper, Silkscreen, Rust, Inflation System, Timing Electronics, 2012.

printeresting:

Mitch Mitchell, Distance Arc, Quilted Newspaper, Silkscreen, Rust, Inflation System, Timing Electronics, 2012.

13th June 2013

Photoset reblogged from SEVEN KNOT WIND // KEVIN TOWNSEND with 33,313 notes

thevelma16:

gifcraft:

Amazing resonance experiment with salt
Using a vibrating metal plate connected to tone generator, Scientist Bruss Pup performs scientific magic by seemingly controlling and manipulating grains of salt to dance in specific patterns.

SCIENCE

Source: dovga.com

12th June 2013

Quote reblogged from SEVEN KNOT WIND // KEVIN TOWNSEND with 3,977 notes

Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.

— Brian Eno, A Year With Swollen Appendices (via volumexii)

(I intensely disliked my repeated line line drawings when they first began as a way to ritualize my practice and distill my drawings down. Now the aesthetic I despised has grown on me)

Source: volumexii

11th June 2013

Photoset reblogged from SEVEN KNOT WIND // KEVIN TOWNSEND with 348 notes

republicx:

Deus by United Visual Artists

Deus is UVA’s first photographic show, held at the Smithfield Gallery in London, June 2009. The exhibition contains a series of large-scale photographic prints exploring the effect of artificial light on man-altered natural landscape. Introducing huge artificial light installations to some of the most secluded areas of Britain, spaces were momentarily changed and photographed. With Deus UVA have aimed to evoke the same emotive quality their installation work has, only distilled into single images.

Oh my.

Source: republicx

10th June 2013

Photoset reblogged from The Space Between the real and the Imaginary with 1 note